The Self's Death

I’m going to live your life…

1

The wind, flinging rain about like a homicidal monster, caressed and froze itself upon the pale, smooth, supple skin of the adolescents, kissing and flirting warmly like an unwanted and dangerous lover. Long flesh-and-purple worms, slick and thin, stretched across the rivers of concrete sidewalk, drowning as if victims of a massacre. Later, in the sun, they would cook and become hard, brittle, frozen pieces of desperation.

Two high school girls raced out of the rain, arms—pink and black—bouncing off of each other loosely, with elbows half-locked, clinging to each other frantically. They finally entered the spacious—cold and very airy but dry—shelter of the school, and their loose clinging became hungry. One of the girls flounced and reached up to suck a raindrop off the other girl’s cheek, and they giggled behind locked lips.

A young man, with hair a bit long and in smooth, soaked, jet-black strings, shoved past the girls, who parted like two surprised, mating beetles. The boy ignored them and shoved through the second set of doors with a heavy thump. His faded black hoody had some worn edges and holes ripped through the cuffs for his thumbs, and his baggy black pants swung about, making a hurried fabric noise and a dangerous clinking as his chains bounced on the back of his legs and hips.

The girls gave him a glance of disdain as he disappeared from sight. They turned back to each other and one girl grabbed the other girl’s neck in a powerful grip, pressing the girl into her. A long scream from the hallway wrenched them apart, and in panic the girl with the dark hair and cold eyes clawed into the blonde girl’s neck, who gave out a yelp.

“What the hell??”

There were explosions and pattering crashes and more screaming.2

The door exploded open, the small pane of glass in it shattering, and the young man in the black and chains swept in, jaw set like a tombstone and eyes burning cold and fiercely like a pool of lustful demons waiting in hell. He passed the girls who had glued desperately together in terror, and in one swift motion paused, shoved the gun in the dark girl’s open and wet mouth, and pulled the trigger. Skull pieces shattered and exploded and a blast of hot orange blood burned into the blonde girl’s skin and the walls. The blonde freckled girl screamed and fell.

#

“Good morning. Are you Tanya?” the man asked.

“Yes.”

“Okay, good, welcome to Lupine High School!” He quickly reached out and shook her hand warmly. “I’m Mr. Neslon, one of the counselors. Hold on a second…” The man, in a light blue shirt and a tie, disappeared down a small hall into one of the offices. Seconds later, he returned with several papers in his hand; two white, one light blue, and another a violent reddish orange.

“Sorry about that. Anyway, here’s your schedule, a letter to your parents, and an emergency release form. Try to get it signed as soon as you can and just turn it into the office.”

The girl nodded slightly.

“Oh, and do you have a picture of yourself that you can give to us for the yearbook? You can turn it in in a few weeks if you want. Otherwise we won’t have one of you.” To his surprise, the girl dug into her pocket with three long, beautiful, black nails, and procured a wallet-sized picture.

“Oh, thank you!” He paused. “This is yours?” He squinted at the picture and briefly scanned over the profile of a thin, smiling, blonde-haired girl with blue eyes and freckles and a small light-pink shirt with a popular brand name printed across her breast in curly white letters.

“Yes,” the girl answered, lifting her dark eyes. The man made no further comment and smiled at her.

“Would you like me to show you—Oh, here, wait, you need a map! Let me get you one…” He leaned over the counter and grabbed a photocopied map out of a stack of papers. He glanced at it and handed it to her. “D’you want me to bring you to your first class?”

“Oh, I think I’ll be fine, but thank you,” the girl answered in her quiet voice that she had pushed into a cheerful, confident, adult-like voice as she curled her left hand over her black-dyed hair and pulled it down straighter over the side of her face.

“Oh, okay, are you sure? Just come down to the office if you need any help…in anything,” the counselor told her. His tone hinted at something more.

“Okay. Thank you,” the girl answered, dipping her eyes modestly, in a sweet, syrupy-innocent voice that would have been seductive coming from any older woman. Tanya smiled cheerfully, turned, and left the office, her countenance quickly falling back into one of apathy.

The halls were silent, and the tiles were cold and clean and reflective. It was just like the psychiatric hospital she belonged in, the psychiatric hospital that she had just been released from; sterile, orderly, excruciatingly perfect. Conductive environment. Her reflection jumped around on the tiles and the windows, a shrouded figure of changing, unpatterned, uncontrolled feeling and thought. Tanya glanced sideways at her other self, and slowed briefly. She caught sight of a few freckles showing through her pale cover up, and she fingered them lightly, frowning. She, she didn’t have freckles. Tanya didn’t want them either. She turned and dug around in her burgundy-purple purse, fingertips shifting her contact lens cleaner and her colored contacts box, a nail file, a safety pin, a wallet, and a cheap cell phone. She pulled out a small makeup kit of cut-rate, plastic-crumbled powder and wiped it across her cheeks, burying the life. It was raining outside.

The main entrance doors slammed open, and a young man in dark clothes burst through, rain shaking off his clothes and sliding off his body. He shook his head and a spatter of liquid bullets speckled the floor and Tanya.

He looked up at her, and his blurry watery eyes froze as he lifted his head. The two stared.

“Didn’t I kill you?”

The girl’s face hardened and became inexpressive. “Yes.”

“Tanya?” He squinted.

“Yes.” She’d changed her name after it. She was now Tanya.

“You’re not real,” he insisted, eyes sliding off her flesh, rolling like marbles, clouded. He became overbalanced and wildly sidestepped before holding still and concentrating on her again.

“I know,” the girl said. They both knew it.

“I killed you on my way out. Your head broke,” the man said drunkenly, puzzling. He pushed closer to her, touching her. Tanya pushed herself away.

“Don’t you love me? The dead can sleep together.”

“I loved Tanya.”

“You don’t love yourself,” he disagreed.

Tanya looked down. “I know.”

“Then…then you’re not meant to live.” The man looked at her for a bit with clear eyes.

“I didn’t know…Tanya…wanted to…kill…h…” Tanya’s eyes were large. She couldn’t bring herself to say it.

As Tanya watched, the man pulled a hunting knife out of his large pants pocket. Tanya stood stock still, her head slightly tilted, staring forward toward the ground, seeing inner demons. The young man reached out and picked up her arm, and slid the smooth blade along the length of her inner arm. The girl did nothing. He picked up the knife and gently pushed it along her throat. The girl flinched slightly and clenched her eyes shut as blood trickled down the pale skin of her breast. He ran the blade deeper as he dragged down, before jamming it into her heart. 3

4

5

But yours was not meant to live.

-- 6

7

Author notes

I used a ton of symbolism, and it will take a careful and maybe even numerous readings to interpret this, so I’ve decided to explain it here: 1. The title “The Self’s Death” – What is death of self? The word is “suicide”. Thus, the entire overall story was about suicide, not murder (the murder was only symbolic) (and to make this ever more clear to you, I smacked you over the head with the “Tanya…wanted…to kill…h[erself]…” dialogue at the end). 2. Yes, the two lovely chicks are lesbians. ;) And in the beginning, the young man kills some students (much like Columbine; I use symbolism in this for the name of the main character’s new school, “Lupine High School”, which rhymes with Columbine and is also a type of purple flower) and on his way out sees the two and kills the “darker” one. 3. The blonde one ends up in a psych ward (as a result of the trauma, etc.), and we return to the story when she is out and starting life again in a new school. 4. She hands a picture to the counselor of one of her old pictures; which confuses the counselor, because she has now dyed her hair black, wears dark clothes, has no freckles, and has colored contacts in; she is “living” the dark-girl-who-died’s life. 5. The original dark girl’s name was Tanya; the blonde girl’s real, original name is never mentioned (and isn’t important). The blonde one got her name legally changed to Tanya because of her love for her deceased lover. This completes the idea that the alive-and-used-to-be-blonde Tanya IS the dead Tanya. (Once again, this proves that blonde-Tanya is trying to live dead-Tanya’s life for her.) 6. The “young man” who killed dead-Tanya (somehow, and for some unexplained reason that you’ll have to draw your own conclusions for) presumably breaks out of prison, and by happenstance meets blonde-Tanya, which he half-mistakes for dead-Tanya (the young man is drunk, too, so he’s a bit confused). 7. When the young man says “you’re not real”, he thinks he is having hallucinations/delusions of the girl that SHOULD be dead, as a result of the alcohol (he’s drunk, haha); but symbolically, he is saying that blonde-Tanya isn’t real; she isn’t living HER OWN life, but a dead girl’s. She is fake. 8. When the man says “ ‘Don’t you love me? The dead can sleep together.’”, it means three things; first, he’s drunk and horny (xD), or he’s on death row and “pretty much dead”; but symbolically, he is implying that HE is dead. The young man in this story symbolizes death, or the Grim Reaper. 9. The whole “I loved Tanya” “You didn’t love yourself” stuff is meant to reveal that dead-Tanya didn’t love herself, and she wanted to kill herself. And thus we have blonde-Tanya stuttering about how she sort of knew it all along but didn’t believe. 10. At the end: since dead-Tanya wanted to die and was meant to die, and blonde-Tanya essentially became dead-Tanya, blonde-Tanya is killed. 11. If you go back and read the italicized words at the beginning, and then the last one at the end, it pretty much sums it up. 12. Morale of the story: and you cannot be alive and also dead at the same time (both Tanyas cannot live), and you cannot have both at the same time (for those who wish for both at the same time); suicide is a permanent thing, so once you’re gone, you’re gone, and that’s it. I would like to thank William Golding, author of The Lord of the Flies, for TEACHING ME HOW TO USE SYMBOLISM! <3 ^_^

A contest entry

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Comments

1 - 21 of 21
  • Wow

    I personally find this amazing. I love difficult stories that take out on a mental journey. I mourned for the loss of her lover and i felt her pain. A great write!

    • Thank you! Oh man, this story is really old...May 2006! I almost forgot about it, haha. Yeah, I was going through a symbolism obsession back then after I read Lord of the Flies...


  • Pray For Me
    April 19, 2007
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    Some of the symbolisn is confusing but I enjoyed this story a lot.


  • Loonamist
    February 7, 2007

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    Way to confusing. Some of the symbolism is also confusing and awkward. More detail, maybe more explaining and hinting in the story.


  • beezy92
    February 7, 2007
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    awesome job

    amazing work and good luck in the contest (=


  • VioletConcept
    February 7, 2007
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    thanks for entering my contest

    really thanks!!!!!!!!!` dfjdskgladf

  • DustyOldHalo
    February 2, 2007

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    Loads to watch for when reading! I like pieces that make you think about what is happening. On the surface, it’s a fine story.

    You get to thinking about it and start saying things like, wait….I get it now. The symbolism is simply the best I’ve seen. I’d like to say that it’s comes across really well!

    Good luck in your contest.

    beginning: 4, language: 4, plot: 4, ending: 4, dialog: 5, characters: 4.


  • Jargo Oberan
    August 15, 2006

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    Lupine also is also the official slang for the genus of wolves. The young man is a very modern symbol of death itself, from the black clothing to his role to his age and gender. In short, I didn't think he was real so to speak.

    The purpose of symbolism, so sayeth me, isn't to make sure the reader 'gets' your vision of how they work but to have it and let them envision their own entendres.

    beginning: 3, language: 3, plot: 3, ending: 3, dialog: 3, characters: 4.


  • tearsofsadness silver member
    June 15, 2006
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    WOW!!!!

    I like the way you describe the actions in this story. The emotions portrayed by your characters in this story are just perfection! And the way you used symbolism was also perfect...it is truly a self's death...suicide, but if i hadn't read the author's notes i wouldn't have known it was a symbolic piece about suicide not murder...your intro made the setting look like an ordinary day on an ordinary place but later on the story it was just amazing! your ending was also nice...GREAT JOB!!!

    beginning: 5, language: 5, plot: 5, ending: 5, dialog: 5, characters: 5.


  • ladynigritude
    May 12, 2006
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    ^__^ Thank you so much for the comment!


  • Deeha
    May 12, 2006
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    WOW I looooovvvvvvve it

    The plot is uber good, though kind of confusing. Well done with the symbolism, very clever. I like the transformation the character made. The language is beautiful and flows perfect. I love the beginning its uber perfect, makes me want to read more. Teh whole story kept my interest. Uber Great Story.

    beginning: 5, language: 5, plot: 5, overall: 9, ending: 5, dialog: 4, characters: 4.

  • Jinxgirl
    May 12, 2006
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    This certainly gets your attention right away and holds it. Very very well done, especially the symbol, which I'm sure you know is very clever. Have you ever seen teh movie Mulholland Drive, this store reminded me of it, what with teh lesbian girls, strange/twisted plot, symbolism, and mysterious men. I bet you'd enjoy it a lot if you have not seen it. I really did enjoy this story, it was very effective.

    beginning: 5, language: 4, plot: 5, overall: 9, ending: 4, dialog: 4, characters: 4.


  • Anjil
    May 11, 2006
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    amazing

    the symbolisum of this story and the actions man had me form begining to end purely beutiful work

    beginning: 4, language: 3, plot: 5, overall: 9, ending: 4, dialog: 3, characters: 4.

  • ladynigritude
    May 9, 2006
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    Gracias querido!

    Yep, I just read Lord of the Flies in my English class... I was disappointed how the other kids didn't like it as much as I did, but I guess they're not -there- with the whole understanding of the symbolism yet. BUT IT WAS SUCH A GOOD BOOK!!

    Oh, you should read it, you should!! ...And, er, 5 kids don't die in the beginning...Only 3 kids die in the entire book, and only 1 by chapter 2-ish. But the chapter that's scary is actually chapter 8. See, now you have to go read it!!!

    AND THANK YOU FOR THAT WONDERFUL CRITIQUE!!! Dx *hugs and cries for pure joy* That's the best critique I've gotten in...well, actually, ever!! No joke either. Gracias gracias gracias!!!

    Ah, yes, I see what you mean about the end and the "Didn't I kill you?" lines and all that. I had a hard time trying to find lines that sounded "good" and could fit the literal plot line as well as the symbolic plot line at the same time. It was a bit of a tug-of-war battle there. I think I might go back, as you said, and see if I can't make it a tad more obvious that he's drunk.

    beginning:

    Oh good, I'm so glad this didn't come off as really wordy to you, I feel like I get caught up in descriptions of the insignificant things a lot in my stories... I was a bit afraid of that, because the story originally just started as a random, exaggerated description of a storm (I think it was raining that day), and I threw in some worms (because I have to walk between the 10-12 building back to the freshmen campus, and my friends are always screaming at the worms...) (rain -> worms -> lesbians - > murder -> suicide? xD) Anyway. I'm glad to hear that that didn't happen. ^_^

    Well, thank you so much again for that lovely critique! Chao!

    ~ Lady ~


  • Mad-Hatter
    May 8, 2006

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    Very good

    You read Lord of the Flies???


    You poor thing....

    That book scared the living hell out of me. I stopped reading it after the second chapter (FIVE KIDS HAD DIED BY THEN!!!! WHAT WAS I SUPPOSED TO DO?!?! It was giving me nightmares. )


    Well, I'm a big fan of dark stories, and very familiar with symbolism. In advanced English, actually. (YES, I AM bragging. It's a hard class!!!)


    Okay, now, normally I can catch the symbolism of the story during my first read. This one, however, was a bit hard to follow.
    But I DO NOT suggest changing ANYTHING. After you point out the symbolisms, I hit myself over the head and say, "Why didn't I see that?!?!"


    Okay, me being a homophobe (not predjudice of gay people... scared... Leave me alone), normally don't like stories involving gay lovers.
    But, as I said, I thoroughly enjoyed this one. The two girls being lovers really does add to the symbolism so heavily (like why now-Tanya changes her name and begins living the life of dead-Tanya).


    "Didn't I kill you?"

    Sorry, but this part seemed a bit unclear to me. Even after you pointed out all that symbolism. Try to make it more clear to the reader he's drunk.


    The only thing I suggest changing is the ending. Don't stab her in the heart!!! It seems too unnatural.
    I mean, seriously, how often do you see someone besides Jack the Ripper slit a girl's throat and then stab her in the heart in one fluid motion?

    But this isn't a huge thing. In fact, you can leave it if you want. It's still a great story.


    So, check my scores below, and gleefully see how much I loved your story.

    Please note I'm not overflattering you with my ratings. These ratings are HONEST opinions. Here are my justifications:


    beginning: 5/5

    I say this because it grabs the reader's attention almost immediately. You were very descriptive, but not overly descriptive (as in: some writers will describe the beginning of their story in EXCRUCIATING detail. You think to yourself, "OKAY! I GET IT! IT'S A PLAIN WHITE WALL! SO WHAT HAPPENS NEXT?! GET TO THE POINT!". Thankfully, yours isn't like that.)


    Ending 5/5

    Mostly due to the heavy symbolism of the story. I consider the ending a very vague thing. For me, it more or less starts when the man returns to meet now-Tanya.
    And as such, their entire conversation to me is the ending. And therefore, I would honestly say your ending is superbly captivating.


    Characters: 5/5

    You focused on the main character, and for a surprisingly short story, you managed to describe her pretty well. You didn't use much direct charactization, but you used enough to show the reader who the girl was. This also plays in the symbolism when we find out she changed her looks at the end.
    I'm not a big fan of direct charactization anyway. Most of my stories don't describe how the character looks at all. I leave that up to my readers.
    And the man who killed Tanya (both of them)... He just seemed to come and go. You didn't put much detail in him, despite his important role. However, I'd consider that a good thing, because it makes him more of a 'sudden threat'.
    The reader doesn't know anything about him, and as such, as you pointed out yourself, he is whatever the reader wants him to be. In fact, if you were to go so far, you could say he doesn't even exist.
    So, the detail on him, or rather, lack thereof, was also superb.
    The counselor was an insignificant character, and didn't deserve much detail. You described him though. I myself think you did that, though, as a comparison to now-Tanya. Sort of like, "The grass is always greener on the other side". You described him as a rather happy character, who wore bright clothing. This, through instinctive comparison, emphasizes on now-Tanyas miserable state.


    just always remember: Most writers only put as much detail into a character as according to their importance. You don't use half-a-paragraph to describe a character who has nothing to do with the plot!
    But, as is the case of the man who kills Tanya, sometimes you shouldn't put a lot of detail into an important secondary-character... It's hard to explain. Usually, you just KNOW how much detail. Don't pay too much attention to what I say, cus if you do, it'll mess up your next story.


    plot: 5/5

    PURELY because of the heavy use of symbolism. This would have gotten a 3/5 or lower from me if you hadn't explained, because then I would have said, "Plot?? What plot?"

    Language: 4/5

    Certainly not perfect, but more advanced than a lot of people I see writing on here. Plus, if I give you all 5/5s, I'd be overflattering you. Ah, hell. I'll change it to 5/5. This is because of your excellent use of symbolism, direct and indirect characterization, description, etc.


    Dialogue: 3/5

    Sorry, but the dialogue seemed about average to me. Sorry.

    beginning: 5, language: 5, plot: 5, overall: 7, ending: 5, dialog: 3, characters: 5.

  • ladynigritude
    May 7, 2006
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    Yay!! *hugs* =) Well I'm glad you like the langauge and descriptive-ness at least! ^___^ Hopeless, you say? >_> Well, suicide is kinda hopeless, once you succeeed you can't come back to life....Anyhow....=D I have a good hope-FUL ( ) story/monologue/I-can't-remember-what-they're-called, the one I wrote before this one, if you wanna see a happier one! Anyway, I hope you have a wonderful day!

    ~ Miss'm Lady ~

  • Ilitilian
    May 6, 2006

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    Un gladi fi Chinoquie

    I'm not really sure if I liked it or not. well let me say it htis way:
    I thought you wrote it really well. Great, Wonderful description trailed over the entire thing! Staggering description!! I liked the way you analized it and used symbolism.
    The problem I had with the story was it's content. I didn't like the lesbians or the run of suicide. I didn't like the guy's hit on tanya. I didn't like how it was so utterly hopeless.
    But- I hate to be so negative when you were so excited about it. And I hate to damper your enthusaism! cause you have very POWERFUL descriptive power and you can tell an entirely different story with your descriptive power. So that was truely amazing!

    beginning: 3, language: 5, plot: 2, overall: 7, ending: 2, dialog: 3, characters: 3.


  • ladynigritude
    May 6, 2006
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    Thank you so much!! I'm really proud of this story, and I'm so glad you enjoyed it!!

    ~ Lady ~

  • tearsofsadness silver member
    May 5, 2006
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    Perfection

    I love it! the way you used symbolism is so amazing... and if i didn't read your authors notes then i wouldn't really know it was suicide and not murder i like how you used murder as a symbol for suicide because it makes it deeper than intended be(in a good deep way)... anyways it's a cool story...

    beginning: 5, language: 5, plot: 5, overall: 10, ending: 5, dialog: 5, characters: 5.


  • Moonlightangel
    May 5, 2006

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    Hmm

    Wow. This was very interesting. I did go back and read it again, and then read all the points you made, and it does seem to be a very symbolic piece. The beginning is very gripping and had me longing to read more.
    Thank you for entering.

    xxx Moonlight xxx

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