The ceiling fan is on, spinning around, around, around. The noise is repetitive, cutting through the air and slicing through the thoughts I can barely string together. Womp, womp, womp, womp. It is cold and the fan is unnecessary. It’s strange. The noise would block out any chance of the warning of the doorknob, the creak of the old door. 1
Looking up, it looks like the ceramic butterflies hung on nails on the robin’s egg blue wall could fall at any second. They’re hanging next to a picture of an angel sitting on a stone bench at the end of a brick path in a flower garden. It was one of my grandma’s favorite paintings, the frame ornate and tarnished with age.2
Candles flicker even though the ceiling light is on, throwing dark shadows. Porcelain dolls stand on doily covered wooden shelves, dressed in old fashioned dresses, silk dresses, their glass eyes staring but not quite looking, their hair curly, shades of blonde, red, brown, black. 3
The fake wooden slats on three walls make everything seem smaller, more like a cardboard box, a prison. The claustrophobia is unbearable. As I lay here I can feel the stares of my grandparents, my mother, me, from the old photographs on the wall opposite. 4
Trinkets from here or there cover every possible surface not covered with dolls. They mean nothing, absolutely nothing, now that their owner is dead. If you ask me, they didn’t mean much when she was alive. I turn my head to the side and see a bowl on the nightstand, next to a book marked with a green ribbon. The water in the bowl moves slightly, tiny little waves moving the dead goldfish inside it.5
I feel the old velvet under my fingertips, the almost roughness of it as it’s scratched with my nails. The pillows are numerous and embroidered to match the bedspread with sad little attempts at flowers and leaves. I feel like a few of them are imprinted on my cheek.6
I smell soap and Listerine. I smell dust in the blankets, on the glass pieces of trash on the numerous tables scattered around the room, on the dolls. I smell sweat. (Disappointment, fear, disgust, tears, they were strangely all missing. Then, anyway.)7
A spider crawls across the ceiling. It was in the corner before, looking at me, too. Staring. I study the stucco so hard shapes pop out at me as I lay here, alone now. I see a flower, a face, me. 8
I wonder who I would have been.
Comments
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This sounds like your grandma's house.
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I liked this. The tone is very fitting and I love the descriptions.
Maybe you could flesh it out just a little and maybe even continue it because I did feel a little like it ended too soon; like when someone is talking and they say something important and then just sort of trail off. (I call 'em dot-dot-dot moments.)
Anyway I thought it was a nice piece and I would love for you to continue it.
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Well, first of all, brilliant story. I admire you a bit more after this, only because it's seemingly nothing, but nothing is always something, & while describing something(s), it's entirely nothing, all within a cariacture..I like that. I try to write like that..From nothing to everything; in its wholeness there is the light..In the light, a damp black spot. My only thing with it, though, is that it's too narrative-written, you know? Like..Trying to describe everything & just putting in "I" to make it seem like first person. My sense, when reading, is the character's thoughts, & I'm not sure if the character even thinks like that, but "A spider crawls on the ceiling." isn't something a person would usually think
But again, I'm awed by your detail, & think you should work just a liiittle bit more time on fleshing out the details & how things really feel to the character.
But I enjoyed it!


beginning: 3, language: 4, plot: 3, ending: 3, dialog: 1.
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I tried and pretty much failed to make it like the main character in the story is remembering these pieces of the room as they come to her, the sights and smells as they would have seemed in the past, as this "event" was happening. I'm not even sure I'm explaining it right in this reply.
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