People in this mindset, she had read, often felt a certain compulsion to organize, to make orderly, to straighten, to tidy up. She had always been the sort to make the best of what she had, and so she aligned the crusts with the slants of the topmost layer of wood, laid the book open in perfectly-squared orientation at the center of the raft, which, when she settled again, resembled a floating altar, Arthur's place of meeting with his Lady of the Lake. Her own place of remembrance for those she imagined had died here.2
The copse at the shore over her shoulder stood its silent watch, cloaked in the early morning fog and mist which had settled around the stoic wardens. She knew it must be lonely, guarding this lake for the half-century or more that the trees had grown in their inexorable upward climb. She felt something like that, that she had grown amongst a pack of others growing just the same, but that she was ever apart, that she was as thickly-skinned as the oaks lining the shore. Their roots drank from the soil goblet, constantly draining the ever-replenished vessel. She felt that craving. She was empty, parched. As she cast her gaze back to the raft, she caught sight of Hughes' words, wound tight and brief like a viper ready to strike:3
The calm,
Cool face of the river
Asked me for a kiss.4
And the words sang to her. The water's voice enticed her. And she was parched. And she had never been asked for a kiss before. The romance was brief, as the best of summer are. But she felt safe, wrapped in the warm clear kiss of the lake. The pain too was brief; waves of euphoria supplanted her sense of shock, the initial terror of something so new undermined by the pleasure of belonging, of acceptance. For perhaps the first time she felt truly in good company, proud to share this magic with those who led her here, who captured her imagination, who brought her to such a tender and devoted lover as her lake.5
The lake was dredged for the first time after her brother told the police what he knew of her fascination with the isolated forest shrine.
Author notes
The three lines of poetry, italicized in the text, are from Langston Hughes' poem "Suicide's Note", published in his 1926 book "The Weary Blues", which is the book that the anonymous character in this short-short has on her raft, and were the direct inspiration for this psychological portrait.
I am still dissatisfied with the final line, although the rest of this I have edited to the bones. Heavily psychological, the selection of detail is closely tailored to the flickering, unreliable consciousness of the woman...most of the questions that you are left with, I probably can't answer either, but do feel free to ask.
A contest entry
- June's New Members Contest by SW Greeters.
175 points, ended July 9, 26 entries
• next story in this contest, remove from contest
Any ideas about that last line?
Comments
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Hello Asceticverse and welcome to Storywrite and thank you for sharing this beautifully written almost lyrical piece with us
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You are a talented writer with a gift for creating lovely emotional scenes within an unusual plot
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I really felt the character was some form foliage not a human female until nearly the end. Still, I was able to empathize with her.
The suicide/death was an unexpected let down.
Good luck in the contest.
Geri (Greeter)
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This was very well written and I can understand why you feel the last line wasn't up to the rest. But I can't help you rewrite that.

My only suggestion to this deep piece is your are missing feel and smell from the senses.
My suggestion for feel is the maybe the rough wood bit into the fleshy part of her feet or if she was laying on the raft for time her thighs or forearms.
As to smell, what do lakes and ponds usually smell like? Alga and such.
Welcome to SW and thanks for entering the contest.
Good luck.
Brooke
greeter



