Polly Put The Kettle On.

Polly put the kettle on. Black kettle on the black hob. Black against the black and white of her uniform. Maid of the house. Servant of all. She put the kettle down carefully, not wanting to burn or scald as she did as a child. Her hand, seven year old hand, burned, pink to red. Her mother put butter on it. Her father moaned about the expense, said, “Oughta mind where she put her damned hand.” Gone now. He died. Good riddance. Polly smiled and stood back. 1

Listened for sounds. None yet. Too early. Upstairs slept late. Downstairs, she, Mrs Gripe, and Dudman each did their thing in a dull silence. She moved around the kitchen keeping her eye on Gripe, whose mouth moaned constantly like a dripping tap. Fat woman Gripe who ate as she cooked for those Upstairs. Lazy gits, Polly mused. Mistress Elmore, Lady of some sort, dull-witted as a broom, nose bird-like, mouth yakked like silver spoon type. Polly touched a cup. Felt the smoothness of the whiteness and the flowered pattern. It sat in a saucer of said pattern. She lifted them to her lips and held out her small finger. Gripe in the larder. Lifted to her lips and poured daintily imagined tea with her finger outwards. She smiled and put down the cup and saucer gently and looked at the teapot. Bone china. Expensive. Cost a year’s wages no doubt she mused. She lifted the lid. Tealeaves waiting for hot water. She looked around her. Gripe still out of sight. Polly spat in the teapot and put the lid back on. 2

“Don’t stand about, girl,” Gripe moaned, waddling back from the larder, her bust three steps ahead of her nose. “Plenty to do,” Gripe added pointing about with her stumpy finger.3

Polly nodded her head, her white cap moved slightly. Her hands folded against her stomach waiting for work. “Just waiting,” Polly said.4

“For what?” Gripe said.5

“Water to boil,” Polly said. Gripe pulled a face, looked at the kettle, black against the hob’s blackness. “Make her tea,” Polly said.6

“Her?” Gripe said. “Her? Lady Elmore is not a her.” Gripe heaved up her bust and waddled off to the cupboard for something. “Where’s that Susie?” Gripe asked, back turned, backside like a bull.7

“In the scullery,” Polly replied, “preparing something or looking for something.” Polly pulled a face at Gripe’s backside. Stuck up her fingers. 8

Susie was called. Gripe’s voice like foghorn in a mist. Dudman trots in as if he’s got haemorrhoids. Stared at Gripe and glared at Polly. Looked around the kitchen. Nose raised for smells. Ears cocked for sounds. Hands held church-like over his chin thinking.9

“Polly,” he said, “idle hands, make work for the Devil.” Scanned his eyes over Polly’s attire. The white cap hanging out of place. The hair dragged together hastily as if straight from bed without brush or care. His eyes ran over her, taking in her eyes, her chin, her still hands, her legs shapely beneath the black and white uniform. “Get that teapot warmed. Cup and saucer ready?” said Dudman, moving away from Polly searching for Susie.10

Gripe dragged a huge saucepan to the hob, her muscled arms like a labourer’s. Polly went to the kettle and felt the side. Steam beginning to ease from the spout. She looked at Gripe. Fat cow, mused Polly, preparing to move the kettle to the teapot. Hot handle. Decided to hold with a cloth.11

Susie entered the kitchen pushed in by Dudman, his finger poking her back. Susie took off the kettle and looked at Polly. “Make the tea,” bellowed Dudman, pointing to the teapot. Polly removed the teapot lid and Susie poured in the steaming water to mix with the tealeaves and spit.12

Gripe moaned. Dudman listened. Sounds from Upstairs. Voices from afar. Susie put the lid on the teapot. Polly placed it on a tray with the cup and saucer and sugar bowl and milk jug and silver teaspoon. 13

“You, girl,” Gripe moaned, pointing at Susie, “take the breakfast tray up presently. Polly can take up the tea.” Susie nodded, stood back arms folded. Polly lifted the tray and walked to the door. Dudman glared at her. Gripe stared at Susie. “Open the door for her,” Gripe said. Susie came to life, ran to the door, and opened it. Polly winked. Susie nodded. The door closed as Polly ascended the stairs the back way, the servant’s staircase. The Below stairs way. 14

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  • Terry Collett
    August 29, 2008
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    First published a couple of years ago. It was the first story of a series about Polly. It was written as an experiment in writing prose and was published straight away when I first offered up for publication.


  • Gary Alexander silver member
    August 28, 2008

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    SPIT LATER!

    Interesting sketch...not quite sure where it went...what the resolution (aside from the spit in the tea, which occurred rather early, I thought) was. Not quite sure where the conflict was...it all seemed kind of one-sided. Any epiphany?
    The POV was unique and pretty well handled...I thought it broke once or twice...veered somewhat. For example, I didn't think you needed: "she mused" toward the end of P2. And did you mean "stubby" finger? in P3? You had "stumpy" finger. Stumpy would indicate an amputated digit. You might also check the spelling on "hemorrhoids"...or is that an English spelling?
    Lots of good stuff in this. But...I'd put the "spit" at the very end. Otherwise, it all seems anti-climactic.
    GA


  • dyslexic writer gold member
    August 28, 2008

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    Good

    I loved your details! They were amazaing. Nice job!

    I like Polly, that girl got guts.

    But I was wondering what is her problem in this story? What is her trouble? I saw nothing.

    I saw a lot of fragments in this piece too.

    Lynn

    beginning: 5, language: 4, plot: 3, ending: 5, dialog: 5, characters: 5.