Dialogue and the Stars

A man with the build of a soldier and the height of an average woman stands at the top of the hill, ignoring the trickster wind's determined attempts to yank his hair from its neat ponytail. The salt-and-peppered strands whip and lash at his face, yet he doesn't so much as blink. Staring fixedly upward, into the dark sky, he sighs deeply, a faintly perceptible frown tugging at his habitual poker face.1

Statuesque, he remains stiffly perched in place even as the brush rustles softly near the base of the hill, permitting a large, ruddy Mexican wolf to emerge. Head down, holding her ears back but not flattened, tail in a low, friendly arc, the shaggy bitch pads to the man's side, pressing her muzzle into the palm of his right hand. Her tongue flicks out, giving his soft primate skin a few shy submissive licks, and finally he 'deigns' to glance down, acknowledging her submission with a glance and a gentle scratch behind the ears.2

"'lo, Leaves," the blond man says in a voiceless whisper, heedful of the snickering wind-spirits. 3

The bitch shakes herself a bit, the brilliant red delta marking over her shoulders dulled to rust in the wan moonlight. Looking up at her packmate, Red-Leaves-Fall inclines her head to the left a touch, eyes widening almost imperceptibly. 4

Irritably, or perhaps nervously, Twelve Claws turns his left-hand knife over and over in his hand, and allows the frown to deepen. 5

"The stars," he replies to the bitch's wolf-language query. "I'm looking for the stars." 6

The bitch at his feet frowns some in turn, then inclines her head the other way before leaning forward in a deep bowing stretch. Thirty seconds later Red-Leaves-Fall has risen to her hind legs, and a human woman stands beside the man. She stands easily three or four inches taller and is equally powerful in build, but her body language remains both submissive and strongly lupine. She crouches some, so as not to tower over her ranking packmate, and leans her head back. 7

The breeze picks up, twisting through her autumnal auburn mane, and she runs her fingers through it awkwardly in an ineffectual attempt to stop its tumbling and rolling.8

"Stars," she enunciates carefully, squinting upward with her overlong hair clenched in both hands. 9

After a long moment of following his gaze, the bitch-turned-beauty releases her grip on her hair with one hand to point carefully at the sky beyond the waning gibbous moon.10

Here in the Deep Wylderness, far from the Glass Walkers' domain, every distant lamp shone with fabulous intensity, their icy hues making a glittering jewelbox of velvet-black midnight. 11

"There they are," Red-Leaves-Fall informs her packmate in a helpful tone. 12

The wolf-woman's almost childlike 'solution' to his problem wrings a reluctant but genuinely amused chuckle from the man. Shaking his head a little, he rests his free hand on her arm to signal her to lower it. 13

"I see them, Redsko," the Fenrir chuckles, deciding against telling her he wasn't looking for those stars... the Elder had been very clear about the terms of his mission. A No Moon born like himself, called Rotagar by his tribe, must be able to operate alone -- without the aid of the pack -- in an emergency; this quest was intended to train him. He must be able to aid his pack in the way of his moon without their help. 14

And even then, there was another reason, another reason that even the Elders were not privy to, one he privately felt was a weakness but still could not divest himself of. A small part of him felt the Red Talon might understand ... but he is a Fenrir. All weakness is forbidden, and to admit its existence is also to admit defeat by it, he feels. 15

So, quickly, he sought another way to explain, something that wasn't entirely a lie but which wouldn't break his vow. 16

"I wasn't being literal, hon."
"Literal means... sidewalk?" 17

English was Leaves' first human language, but having learnt it as an adult of three and a half winters, her grasp of its abstractions and inconsistencies was limited, to say the least. After about thirty seconds, the Fenrir figures out what Leaves meant and chuckles again, shaking his head. 18

"It means ... concrete, yes, but not in the sense of a sidewalk," the blond man tries to explain, now scowling as he tries to come up with a way to explain the abstract concept to the wolf-born woman staring so quizzically at him. 19

She wasn't stupid, not by any means -- in fact, 12 privately suspected she was smarter than most homids, and certainly him -- but English in particular didn't come easily to the lupus, with its homonyms and its arbitrariness; concrete and abstract concepts in particular caused a lot of translation issues. 20

Gesturing vaguely with the sacred fang-ivory knife, he starts to explain, but grunts and dismisses the attempt with an irate deep-throated growl a human throat should not have been able to produce.21

"Ask Chevron what it means," the No-Moon finally grunts, giving up. Chevron might be a mule, and Fiann to boot, but he was pack, and moreover, he had a much better grasp of both English and how to teach it to a lupus than did average-brained, human-born Twelve Claws. 22

Red-Leaves-Fall snorts, shaking her mane a bit. "You-mens have strange tongues," she shrugs, and, losing interest, returns her gaze to the sky with some fascination. "and stranger eyes. Why do you search for stars that are plain to see, Twelve Claws Rolls-in-Blood?"23

Krrsheh, Leaves, 12 sighs inwardly. I can't even explain what 'literally' means to you. How can I explain this?24

Sudden guilt at his attempt to deceive his packmate floods through the Rotagar. Tribal law or no tribal law, he feels suddenly, this should not get between packmates. Great Father Fenris demands strength, but he also demands forthrightness and honor from his cubs ... Am I acting like Uli Brightjaws, before he became the Scar-Heart?25

A long, contemplative silence stretches out, in which Red-Leaves-Fall and Twelve Claws stare upward side by side as if neither could possibly have anywhere else to be.26

As is often true, 12's capacity for this kind of hard thinking runs out before Leaves' patience does. Somehow, the lithe red bitch always managed to see through him. Even though he is almost thirty years old and she is barely ten, she reads him like he would read a book. 27

Growing tired and annoyed with himself, 12 grunts, almost resentfully, "I was looking for Gaia in the stars."28

Without another word, he drops to all fours, slipping instantly into the shape of a grizzled, black-pointed Northlands wolf with the hard musculature and criss-crossing scars borne by all who engage in serious combat every day of their lives. 29

Head down, tail even with his spine but upturned at the tip, Twelve Claws stalks down the hill and disappears into the forest without another word, in English or wolf-speak.30

Surprised and confused by her packmate's strange behavior, Red-Leaves-Fall remains in human form for a minute or two, staring after him. Then she wrinkles her nose wolfishly and, as she's seen their alpha Truth-Be-Told do, shrugs to herself. 31

The man-born are so strange, she sighs to herself, feeling as if she should have understood her packmate's problem but still completely clueless about the matter.32

As usual, Red-Leaves-Fall could not understand what 12 was looking for in the stars. From his body language, his scent, and the tone of his voice, he was seeking ... rest? Reassurance? Peace? 33

He said he was seeking Mother Gaia. Red-Leaves-Fall supposes the stars are as good a place as any to look; did She not place them there, as She did everything else? She could also tell he felt weak, annoyed, tired ... But about what? 34

Great Fenris knows, surely. Old Wolf of the Woods knows everything in the hearts of the wolves, even man-born wolves. But Red-Leaves-Fall does not.35

Sighing, she settles back on her haunches, reverting back to her birth-skin. The sensory mesh consisting of the scents and sounds of the forest immediately slides back into being, soothing her. Her view of the stars did not fade, however, as her spirit exerts itself to prevent her optic organs from changing with the rest of her body.36

As false dawn begins to break the tableau of perfect contemplative night-time stillness, still a wolf with human eyes stares up into the promise of day, obeying the irresistible instinct to Learn, to Understand, but first and foremost seeking answers for her packmate as a Crescent Moon must. Diplomatically, but with all the authority due her as a Theurge, she stretches her inner self, reaching out to distant shining things far beyond Earthly knowledge. 37

A perfect exchange, black and still in twinkling lights and the aeon-spanning howl of a wolf's heart. Knowledge is offered and received in a silent dialogue with eternal distant brights.38

The stars know many things. A few have urgent news to share from the realm of Meros Path-Knower, outrider of this particular Gaian base in the universe. 39

If they know what her packmate sought, they do not reveal it.40

When the young Red Talon curls up beside her wolf-bodied packmates beneath the gilded shards of dawn as they pierce the dying night, eyes sliding closed, the most important messages handed down by the constellations flash through her mind again. She shivers, snugging closer to her packmates. 41

She knows that to prophecy is her purpose under the Moon, by Mother Gaia's will. She does not find that information very reassuring, knowing that the Mother will have very little to do with what's to come.42

Still, the time for human-mind is over, and her wolf-heart whispers, rest.43

The pack sleeps.44

They dream of tiny points of light, red and blue, yellow and white, burning cold in the distance, far from the reach of their Mother Goddess. Twitching ears and soft whines echo the basso wail of a demon chained somewhere amongst those luminous lamps, shrieking its maddened rage to the world as it writhes and strains at the bars of its cage.45

The others' dreams quickly revert to normal, quiet rabbit-filled graynesses, but a red wolf shivers, turning over in her sleep, dreaming of a warning from the stars.

A contest entry

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Comments

1 - 6 of 6

  • amanda vampiress silver member
    November 1, 2008

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    I found your story to be quite interesting! Your plot structure gave the story its own feel, making it quite unique. I loved the involvement of werewolves and the constellations. You described the scenery, as well as the characters perfectly. They came off as real and their other nature as a natural element of the human world. When you described the scenery however, it was done with such elegance that you gave your story a bit of an other worldly feel to it.

    The constant use of "bitch" was slightly distracting when reading, but I knew which deffinition of the word you were referring to, so it did not take away from the flow of the story. I did get slightly confused at points when you referrred to red wolf as "bitch" and then in other sentences used her actual name. Now that I think about it though, it makes sense. lol

    My mind did have trouble categorizing the numerous amounts of characters you mentioned in the story. I like that you gave each of them their own unique name, and it seemed like it was almost a version of a Cherokee Indian story....well with the name usage.

    Over all, I would say for structure you did very well! For descriptivness, I loved it, and could clearly picure everything. For emotions, it was a little weak, but you pulled it off. This was a very good story, and I would be glad if you continued it. Thank you for entering my contest and keep up the great work.


  • Oblivion Kitty God silver member
    June 11, 2008

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    It's an interesting start, but I must admit that after a while I lost interest. The constant use of "bitch" personally distracted my mind. I know the literal meaning of the wrod, but I also know the other meaning, and so do most other readrs. The word "bitch" will distract them as they constantly think to the derogatory word instead othe literal meaning. Simply call her a wolf. It need not be constantly reinforced that she is female.

    There are so many names to keep up with and they all enter so quickly and then get blurred together. For such a short piece, there are too many characters. If this is a beginning to a story, then introduce the characters little by little in the first chapter or two. Not all at once. If this is a series - same advice. If it's a stand alone story, remove a few cahracters.

    Overall I'd say this is a decent beginning, but needs more work. Keep writing.


    • intoothandclaw
      June 19, 2008
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      I'll reply to this more thoroughly when I have time, but (other than thank you very much for giving Actual Critique) I have to ask what makes you think there are so many characters? There are only two onscreen, ever, until the very very end, and then everyone is asleep. What did I do to make it seem like there are more than two people present? And/or why is the mention of people who aren't there confusing? What can I do to fix that?

      Also, it doesn't help that this is... not "fanfiction", really, because the characters are all mine except Uli Brightjaws, who's only mentioned in passing. It's really a Werewolf: the Apocalypse story, and I wasn't expecting people who aren't familiar with the setting to completely follow it. It's kind of impossible to write a really good RPG-setting story while also making it totally comprehensible to those not at all familiar with the setting. Again, though, ideas on how to improve there are highly appreciated. Thank you!


  • voldo
    June 7, 2008

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    average woman
    ** Scrap average and just say woman, it has a more lasting impact.

    'deigns'
    ** Don't like the ' '

    Wait? Is he blonde? I though you said salt and pepper hair

    I think you should make sure the reader understand the names better. I wasn't sure if Red-leaves_fall was the dog because you continually referred to the dog as "bitch"


    Okay. You started out brilliantly. I was immediately captivated by your descriptions of the standing man and the mexican wolf. You have a very strong beginning and clearly showed the character of.... well the characters.

    However, as I read on, my interest dwindled. To you, it might be easy to have all of the foreign names straight, but when your picking up a book to read and you see many foreign (assuming) made up names, you get kind of lost and confused. I was fine at first, but then as more foreign names came in, I got very very confused. It's like... your story was fluid in the beginning and then I had to slow down my reading to understand as I went on. You should only read faster because of pacing. Rarely, should you have to strain to read slower. Obviously, i'm sort of judging this on how easy it was for me to read it (and you would probably say I was not making enough effort), but when you want to capture the reader's attention and hold it, you gotta at least make it clear. So, to combat that, I'd say maybe try to introduce less names in so sort a time or make it clear who the people are and their relations to the main character.



    Other than the names, I thought it was fantastic.







    • intoothandclaw
      June 20, 2008
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      His hair started out blond, but a combination of battle scars and age has sprinkled a lot of gray, both dark and light, into his hair. The only way I could think to convey that was to reference both salt-and-pepper and the original blondness. (I'll reply more, and return the favor, when I have time. Thank you very much for Real Critique!)


  • Solidarity silver member
    June 6, 2008

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    Before I start, I want to say that yes, this is all a matter of style, more or less, but as I read this, I couldn't refrain from mentally pruning down the prose. This is what I was doing:

    "A man with the build of a soldier stands at the top of the hill, ignoring the wind that yanks at his ponytail. The salt-and-peppered strands whip[/lash] at his face. He does not blink. Staring at the dark sky, he sighs, a faint frown tugging at his poker face."

    Now this is why I did what I did :

    -I really wasn't sure why his height was relevant to the story, and what a woman's average height had to do to move the story along.

    -Personifying the wind at a trickster makes it nearly a minor character. It sets the wind up as either being a beginning for an extended metaphor, or for it having a role. It doesn't seem to do either (since later there are wind-spirits and not a wind trickster), so it is a red herring.

    -It can't be that neat a ponytail if the wind is lashing the strands against his face.

    -"yet" and "so much as" feel like extra wordiness

    -"Staring" already implies "fixedly". The very act of a stare is a constant intense action. Adding the adverb (how I hate adverbs in prose) only makes it redundant imo.

    -Usually a sigh is deep. Anyway "sighing deeply" is a near cliche.

    So yes, those are my reasons. Generally I believe that in a story, every single word should be irreplaceable, pulling its own weight and directly adding to the story. If it isn't aimed at furthering something (plot, characterization, etc) then why have it?

    ""There they are," Red-Leaves-Fall informs her packmate in a helpful tone" I couldn't help but smile reading this. It was so lovely and child-like. I didn't need the subsequent explanation why the man chuckled to feel the soft amusement the line brought up.

    Fenrir - great name. I appreciated the reference to norse mythology.

    "A No Moon born like himself" Oh, I'm guessing he can't change. Very nice. A sort of Maugli situation.

    The use of "12" instead of "twelve" startled me.

    Ah, he can change. There goes that theory, heh. Still, I do see how he's apparently different, both in actions and thoughts.

    I very much enjoyed P34 - the simplicity of the thought, the elegance.

    And then the ending. Lovely and poignant, as well as a sort of building of elegant tension. As always, your endings really do it for me. They're gracefully constructed and always leave off on a strong note.

    Hope some of these thoughts are not entirely un-useful.

    Kind regards,
    Solidarity

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