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I feel like I've been giving a lot of critical reviews lately to stories which many other people have done nothing but praise. Is it just me? Am I being too critical or fussy with what I read?
I guess I've noticed it more in the contests I've hosted so it could just be because I've wanted particular things in those contests and not many people seem to be submitting stuff that really fits... I don't know.
Do other people get this? -
agree
This place is basically a social network site these days, so its more friends patting each other on the back than serious critiques.
I've seen stories written entirely in summation, the epic fail of literature, and "stories" which were just five page character studies, both lavished with praise.
Its the blind leading the blind. -
A critique contest.
Hi Gang---I too agree with your collective observations. Even in the group I’m in, which boasts of its critiques, it’s hard to find one that measures up.
It is extremely hard to zero in on a story to critique, only to find it has seven accolades, that rate it just inches below world class.
So I have decided to run a contest, I haven’t got all the kinks worked out yet, but here’s some of my thoughts.
This contest will offer three prizes, first place will win you 300 points second place will get you 200 points and third will earn you 100 points.
If the contest doesn’t draw at least ten contestants, it becomes null and void.
The contest will be judged by me and two other members, yet to be named.
The contest will be graded on all aspects of critiquing, so if one is thinking of being nasty just for the sake of being negative, it will win you as much consideration as an accolade will.
I’m open to all the input I can get on ways to accomplish my goals as they pertain to this contest.
Talk to you soon---ablelaz.
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I rarely praise a story, and if I do I tell the writer what I considered where the strengths.
I usually always tell the writer what needs correcting and what they could improve on.
I think people should be more critical, even if they do have to sugar-coat it a bit.
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I almost always give a grammatical critique but hardly ever critique story or plot elements unless they're overly confusing. This is because while I know people are generally grateful to have mistakes found, they do not enjoy being told their story isn't great. If it's not great, I won't be harsh about it, I generally find one or two nice elements to the story and focus on that, but I won't say it's the best thing I ever read. I've found my system works, and with those that are receptive I do start broaching the topic of story elements. If I simply don't like a story I'll stop reading it. If I don't like it and it's in my contest I will give a reason why I stopped reading it, in a nice way (sorry, the story didn't hold my interest sort of comment). If a story is a "summary" type thing I will make sure they didn't first do that on purpose (i.e. for a contest), if they didn't then I will remind them to show and not tell, and give them an example.
The main thing is I feel it is my responsibility as a critiquer (is that a word?) to not only help the writer, but to know my audience which is that specific writer. There are some who have no intention of publishing but write to get their frustrations out. I take this into consideration. I will be less detailed in my comments to them. It's as important to help the writer's writing as it is to support them and encourage them to keep writing.
And yes, no matter how specific you are with a contest, people will still interpret what you want differently. My last two contests I thought I asked for a very specific thing and only received one or two entries that fit what I asked for. I know all things are open to interpretation and thus I don't let it get to me or judge anything harsher because of it. I might comment that it wasn't what I was looking for in my contest, but that doesn't mean I liked the story any less. -
If I were to give critisizm(I don't even know if I spelt that right....), I would probably focus on conventions, detail, and wether or not the storyline is more unique. I don't put them down if they have a plot that is like many others, I just advise them to give it some spice. A little twist here or there, not entirely change it.
I also give good with the bad so that they don't think that the entire thing is bad and they need to scrap it.
That's just my outlook. -
Of course...
A lot of people dont want harsh critiques, they just want a pat on the head.
I've seen stories with 100+ comments which are still being entered in contests, that have never been redrafted in the 3years since they were written and i'm assuming never will be.
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That bothers me. When I see a story in one of my contests with, like you said 100+ comments, and they didn't change a single error pointed out to them. Plot and storyline are up for interpretation but grammar isn't.
I think honesty is the best policy. No sugarcoating necessary, just no need to be a shmuck(sp?) either. Just simple, 'I noticed this', 'I enjoyed this', 'I didn't see why you did this' etc.
There are just as many people who like Harry Potter as there are those that hate it. So just because a story you think sucks, gets rave reviews doesn't make the other reviewers any less honest or insightful than you.
Just remember, you're on a website. With kids from eight to eighty. You're not critiquing submissions to your publishing house.
Do unto others...people give reviews that they would want themselves. So yes I understand your frustrations completely. -
I think another problem that isn't being considered, many people are just plain afraid of giving criticism. No one wants to make enemies but so many people take critical analysis to heart. having said that, I get sick and tired of reading crud. By "crud", I don't mean all the stuff written by 8+ year olds learning the art, I'm referring to sloppy unedited, unpunctuated, uninformed work. I can be a harsh unrelenting critic (especially on the 18+ crowd) but I would expect nothing less from my fellow practitioners.
To be able to write, one must read. This is a universal truth scorned by so many angstager "poets" (perhaps I too was guilty of this crime in my youth
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you? angsty? nah.

Great point Jim.
I also try to give as thorough a review as a piece deserves. If I come across 'crud' as you so nicely put it, I don't see a point in giving a deep review for something they obviously don't care about/don't want to change. On the other hand if I read a piece where it's clear the author put a lot into it, I try to help as much I can. If I can't find anything out of the ordinary (as far as grammar and typos) I give helpful ideas/suggestions about the story itself, which should be the main focus (the technical side can be learned, the other side not so much). But I try to make sure the author understands that they are merely suggestions. -
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You got what I was talking about? You are a smarter man than I. Reading back over that I became quite confused
Distracted by a beautiful woman, that's my excuse. Another good excuse, we have gone over this conversation time and again. *pondering absently* Did I make any sense in any of those other threads?
I agree, it is important to point out that any criticisms or suggestions are our own opinions, wrought of literary genius though they maybe, are not "gospel".
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Yes being afraid to criticize is why I usually only critique grammar and not the story, I don't want people to think I'm trashing their babies.
but yes, I look at the age of the writer before I get too much into the corrections and if they are above 30 I will even go into a story critique, because by then they should be able to handle it and have good grammar. I will critique someone below 16 differently than an 18 and above. Like I said, know your audience. -
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See, I'd rather have a critique about my plot and ideas than on the grammar. I want to know if the ideas work and if it's believable and kept within character and interesting and if there aren't any plot holes and all that.
But then, I feel I'm pretty good with spelling/grammar (if I do say so myself) so I guess I naturally wouldn't care for critique's about that.
Perhaps because of that, what I hate above all are critiques which say "There were a few spelling/grammar/typo mistakes" and then don't point any of them out. Gah! I make a point of having good spelling and Word would pick up any typos so I'm just like, "Well where are they then because I certainly don't see them!"
I admit I leave comments like that too sometimes but I only do that for pieces which have more than just one or two errors. Usually pieces which have spelling/grammar errors all throughout which a good spelling checker would easily fix for them. -
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Then I'll keep that in mind when I comment on your stories and freely comment on plot points.

Gah! I totally agree with you about people saying there's problems but don't point them out. Or worse tell me to use Word's Grammar checker. I use a grammar checker! I don't use crappy Word though.
I go over my work in 3 phases, but that doesn't guarantee I'll find everything. The thing is after that I won't see any problem unless it's pointed out to me. So those type of comments drive me bonkers.
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I know you didn't mention this... but, it reminded me of...
I *hate it* when someone slams the plot of a story, saying it doesn't make sense, etc... and it's like, chapter 18 or something, and you can tell they didn't read the previous chapters (gee, could that be why it doesn't make sense?
) Or, they'll start reading a fanfiction, and slam the story because they 'hate (insert story here) anyway'... then why read it???
I've had one person rewrite the entire first part of a story in a comment.... right off not a good start to lay on me since it's padding a comment, and that tends to annoy me. (
) But, she did add a lot of other things to the critique, so I let it slide. After reading her version, I thanked her for it, and told her that it was nothing like the way I write, and sounded a little too fake (which it actually did... honest!) So, that's a little lesson for those that want to rewrite something for someone just because they think it might read better as.... what they want it to read like. (does not apply to grammar and misspelling
)
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Everyone has their own opinion of what qualifies as a critical review.
I totally agree about the copy-paste reviews. I hate when they put a huge block of the story in the review only to say 'I love that line!' and consider that a review.
But in the end this isn't a school or a 'paying' job (for most of us anyways)not everyone wants to be the next Stephenie Meyer (
) or a peg down JK Rowling. Maybe we're just too critical.
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A little confused
Hi Barbara---I must admit my hackles started to rise, until I realized you were referring to critiquing the chapters of novels, without reading the entire story at least up to the chapter you’re critiquing.
I agree no one can critique a chapter of a novel which he hasn’t been following, other than a mechanical critique.
As for the short story, I think it’s fair to say one must at least start to read it, in order to know what pet name they want to attaché to it. I wouldn’t know a fan-fiction if I stubbed my toe on it, so that’s why I might read it.
I often resort to rewriting a sentence, or even a paragraph in order to be sure the point I’m trying to make is understood.As to wether the writer agrees with me or not, thats his choice to make.
I don’t understand exactly what you mean by padding a comment, but perhaps that’s because my perception of the written word is little substandard.
Quote: --- “After reading her version, I thanked her for it, and told her that it was nothing like the way I write, and sounded a little too fake (which it actually did... honest!”
Your comments in the quote are fine. We as writers don’t have to believe anything stated in a critique. It is after all just another writer’s opinion, not always right, but hopefully always honest.
Quote: --- So, that's a little lesson for those that want to rewrite something for someone just because they think it might read better as.... what they want it to read like. (does not apply to grammar and misspelling )
Isn’t that exactly what we are asking a critiquer to do?—and surly we aren’t restricting the critique to issues spelling, or grammar?
Please critique my story and give me your opinion on readability, story line, credibility, and even the mechanical aspects of my work. I may not agree with your opinions, but I truly do appreciate the time and effort you put into my piece, for no other reason than to help me, became a better writer.
Talk to you soon---ablelaz.
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I prefer to leave "pats on the backs" as you guys call it, rather than critiques. This is my personal preference, but I'm not great at critiquing mostly due to the fact that I don't want to seem mean. Some people appreciate it, but others don't, and unless they ask for a strong critique I won't give one. Why mention errors and stuff, when they probably won't change it?
Also, I realize there are a LOT of people on this website with English as a second language, so I try not to point out spelling mistakes too much, though if a word is way off, I'll let them know. -
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"English as a second language"
again it's a matter of knowing your audience. I can usually tell if they're not native English speakers within the first couple paragraphs (missing articles are the biggest giveaway), but I check anyway. I do find it's the English as a Second Language group that usually appreciates the critiques more as they actually want to improve their English.
"Why mention errors and stuff, when they probably won't change it?"
Ah.... whatever happened to the nonpassive youths who thought one voice could change the world? Has all hope been lost? Are we going to stop fighting just because it looks like we can't win? Rise up my friends and make this world a better place! Do not let lazy English inherit the Earth!
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it's just you're opionion. don't worry about it. everyone's entitiled to thier opinion.
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Thank you. What bothers me is that people just drop other people that they are writing to or just don't like them before getting to meet them. I don't care if someone doesn't like me--just don't assume anything about me unless you are willing to get to know me. If you don't like the way I write just don't read what I post but don't tell me how or what to write--that is one of my biggest pet peeves and don't chummy up to me then drop me for no good reason. I am a harsh critic and if someone's work truly isn't up to par I don't care how many people praise it--I may not say anything mean about the person but the writing is open to critical reviews if you post it with the intentions of getting it read. I would rather have someone be honest and tell me that I suck at writing and should either make the effort or go back under my bridge than to be praised...because,if the way to hell is paved with good intentions then the false praiser is leading the way in. I want poeple to read my stuff and say "good job" or "hated it" that being said I have to add that I am fussy--I read the first three lines of a paragraph and if I don't like it then I don't continue--life's too short to waste time. -
I'm just here for the writing experience. I can be social, but that's not my goal. I want good critiques, so I give them out.
Sometimes I don't mention the SPaG errors. Sometimes I harp on plot holes. It depends on the story and the writer. I aim to be gentle with any errors or sloppiness I see, but of course "gentle" is in the eye of the writer who gets my review. If you don't like the critique I give out, feel free not to talk to me ever again or read my stories.
I'm interested in getting reviews from people who really get writing's concepts, so I try to give those reviews out to others. It's all about becoming a better writer for me, and give-and-take and many minds help me do that. -
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If you get a review from someone whose writing you feel is subpar; do you read the review or just skip over it?
Just curious.
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I read every review I get. If someone suggests things to me that are clearly incorrect, like black-and-white issues about whether or not to capitalize a dialogue tag after a quote that ends in an exclamation point, I ignore those parts. But most of writing is somewhat subjective, and I can get prompts and ideas from someone's comment even if it wasn't helpful in a technical way or anything. Usually the most helpful parts from people are the parts they couldn't understand, and I work on my phrasing as a result.
I wouldn't ignore someone's review just because of their own lack of writing competence. that strikes me as elitist and self-defeating, and I try not to go for those traits, as a habit. We're all trying to improve here, and letting someone know I paid attention to their review is sometimes as helpful as giving them a review.
Also, I don't have a hard and fast list in my head of people whose writing is 'subpar'. I'm not into that. -
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cool.
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I completely agree with Valkyrie, even if someone's writing is "subpar" that doesn't mean they don't have good ideas.
I've had some good comments come from people that talk in almost all chatspeak.
Besides most people who comment on my stuff, I don't always have a good idea of their writing skills, my only experience with them is through their comment. So no point in judging them. -
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So do I. I just needed a comment that would generate a response and push the other threads down the list.

I really only 'check' the work of the critic if their review is harsh to a point or just ridiculous. It is comforting to find typos and other errors in their own work though. Seeing it in the review itself just makes me smile. Grammer
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I am *so* lacking on giving critiques lately. I stick with one, maybe two people, and that's it. I have to branch out more, but I've found that people are not overly willing to accept a critique unless they're mature enough to know that there *are* errors and really want help.
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I personally don't know much about 'writing how to's so I'm literally not qualified to advise!

Myryca
May 9 8:36 PM
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